A Great Image...

... with words worth remembering. Have a look:

Two Gore-Free Videos That Say It All

The first is called "I am scared and don't want to die."
The second is called "A kiss before dying."
Zero gore.
Just pathos and tragedy.
Remember: Animals savor life as much as you or I. They want to live, too. They deserve to live. No animal wants to be our food.
Please watch. Please share.
Let these videos strengthen our commitment to a violence-free world, where animals can live in peace.

Back from Summer Break With a Powerful Passage

I am back from a summer hiatus, and I especially wanted to post this powerful passage by Timothy Pachirat, author of Every Twelve Seconds, a book about slaughterhouses. It's an extraordinary description of slaughter, worth including here in its entirety.

“I wanted to understand how massive processes of violence become normalized in modern society, and I wanted to do so from the perspective of those who work in the slaughterhouse. I worked as an entry level worker on the kill floor of an industrialized slaughterhouse in order to understand, from the perspective of those who participate directly in them, how these zones of confinement operate.      

My first job was as a liver hanger in the cooler. For ten hours each day, I stood in 34 degrees cold and took freshly eviscerated livers off an overhead line and hung them on carts to be chilled for packing. I was then moved to the chutes, where I drove live cattle into the knocking box where they were shot in the head with a captive bolt gun. Finally, I was promoted to a quality-control position, a job that gave me access to every part of the kill floor and made me an intermediary between the USDA federal meat inspectors and the kill floor managers.      

Each job came with its own set of physical, psychological, and emotional challenges. Although it was physically demanding, my main battle hanging livers in the cooler was with the unbearable monotony. Pranks, jokes, and even physical pain became ways of negotiating that monotony. Working in the chutes took me out of the sterilized environment of the cooler and forced a confrontation with the pain and fear of each individual animal as they were driven up the serpentine line into the knocking box. Working as a quality control worker forced me to master a set of technical and bureaucratic requirements even as it made me complicit in surveillance and disciplining my former coworkers on the line. Although it's been over seven years since I left the kill floor, I am still struck by the continued emotional and psychological impacts that come from direct participation in the routinized taking of life.        

The cattle come into the slaughterhouse caked in feces and vomit. From the moment cattle are unloaded from transport trucks into the slaughterhouse's holding pens, managers and kill floor supervisors refer to them as 'beef.' Although they are living, breathing, sentient beings, they have already linguistically been reduced to inanimate flesh, to use-objects.      

The knocker is the worker who stands at the knocking box and shoots each individual animal in the head with a captive bolt steel gun. Only the knocker both sees the cattle while sentient and delivers the blow that is supposed to render them insensible. On an average day, this lone worker shoots 2,500 individual animals at a rate of one every twelve seconds.    After the knocker shoots the cattle, they fall onto a conveyor belt where they are shackled and hoisted onto an overhead line. Hanging upside down by their hind legs, they travel through a series of ninety degree turns that take them out of the knocker's line of sight. There, a presticker and sticker sever the carotid arteries and jugular veins. The animals then bleed out as they travel further down the overhead chain to the tail ripper, who begins the process of removing their body parts and hides. Of over 800 workers on the kill floor, only four are directly involved in the killing of the cattle and less than 20 have a line of sight to the killing.     

There is a kind of collective mythology built up around this particular worker, a mythology that allows for an implicit moral exchange in which the knocker alone performs the work of killing, while the work of the other 800 slaughterhouse workers is morally unrelated to that killing. It is a fiction, but a convincing one: of all the workers in the slaughterhouse, only the knocker delivers the blow that begins the irreversible process of transforming the live creatures into dead ones. If you listen carefully enough to the hundreds of workers performing the 120 other jobs on the kill floor, this might be the refrain you hear: 'Only the knocker.' It is simple moral math: the kill floor operates with 120+1 jobs. And as long as the 1 exists, as long as there is some plausible narrative that concentrates the heaviest weight of the dirtiest work on this 1, then the other 120 kill floor workers can say, and believe it, 'I'm not going to take part in this.'     

Over 8.5 billion animals are killed for food each year in the United States, but this killing is carried out by a small minority of largely immigrant workers who labor behind opaque walls, most often in rural, isolated locations far from urban centers. Furthermore, laws supported by the meat and livestock industries are currently under consideration in six states that criminalize the publicizing of what happens in slaughterhouses and other animal facilities without the consent of the slaughterhouse owners.”   

- Timothy Pachirat, Assistant Professor of Politics at The New School for Social Research and the author of Every Twelve Seconds 

STOP THE MADNESS. PLEASE, PLEASE, PLEASE, PLEASE GO VEGAN!